Jacob Alexander Berardi
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Popular
Videography
by Position | Year | DepartmentIndex: 1st Assistant Camera (3), Production Manager (2), Director of Photography (2), Director (2), Appearance (1), Grip (1), Steadicam Operator (1), Camera Operator (1), Gaffer (1)
as 1st Assistant Camera (3)
#Whyulie
(2011)
J Paul Jr |
Director: Thomas A. Graves |
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New Day
(2011)
Exodus Army |
Director: Darren 'NICE' Malone Production Companies: Nice Looks Entertainment, Alchemist Multimedia |
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Sympathy
(2010)
Christopher Finnesse |
Production Company: Nice Looks Entertainment Director: Darren 'NICE' Malone |
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Section Page | Back to The Top
as Production Manager (2)
Evil In Me
(2011)
Snafu |
Director: Jeffrey J. Hart Production Companies: Concrete Lion Pictures, Cloudy Logic |
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Answers
(2010)
Snafu |
Director: Jeffrey J. Hart Production Companies: Concrete Lion Pictures, Cloudy Logic |
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Section Page | Back to The Top
as Director of Photography (2)
Worst Enemy
(2013)
East Cameron Folkcore |
Director: Reid W Connell Production Company: BE LIE ALL |
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Worst Enemy
(2013)
East Cameron Folkcore |
Production Company: BE LIE ALL Director: Reid W Connell |
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Section Page | Back to The Top
as Director (2)
A Call for Redemption
(2013)
Vessels Out To Sea |
Directors: Ricky Casco, Jacob Alexander Berardi |
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Super Star
(2012)
Flight 505 |
Director: Jacob Alexander Berardi |
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Section Page | Back to The Top
as Appearance (1)
Lexicons
(2010)
The Dark Esquire |
Director: Mike Ferrara Production Company: HAP Digital |
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Section Page | Back to The Top
as Grip (1)
I'm So Fly
(2010)
Miles William, Mychal Rivera, & Strickly Biniz |
Director: Jeffrey J. Hart Production Companies: Concrete Lion Pictures, Cloudy Logic |
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Section Page | Back to The Top
as Steadicam Operator (1)
New Day
(2011)
Exodus Army |
Director: Darren 'NICE' Malone Production Companies: Nice Looks Entertainment, Alchemist Multimedia |
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Section Page | Back to The Top
as Camera Operator (1)
Sympathy
(2010)
Christopher Finnesse |
Production Company: Nice Looks Entertainment Director: Darren 'NICE' Malone |
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Section Page | Back to The Top
as Gaffer (1)
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