What's the science all my IMVDB heads?!
*Side Stunt: I produced 3 videos for 3 different artists that started their careers (Earl Sweatshirt, ASAP Rocky, Cozz).
You're probably wondering, "if the song is bad, then what should you say if I'm unable to ignore them?" My answer is to tell them the truth. I've told an artist, in the nicest way possible, that I wasn't feeling his music enough to warrant me working with them and ended it with a "best of luck to you."
Think about it. If you're an artist and a director tells you he's not feeling the music, then how is he/she going to be inspired enough to write a cool concept and see it through? That's not the type of relationship a director and artist should have. Both parties should be on the same page from the initial email. Some directors are looking for their next project and they force it by doing a video for a song they feel mildly passionate about. Do it because you love the song and have an idea for it or are inspired by it. That's how your best work comes about, but you knew that already.
I hope this was a valuable lesson for the upcoming artists. In the very least, music video directors that receive these types of emails can at least commiserate and say, "me too!"
I'll leave you with my favorite "serious inquiry":
Black, out.
Chris Black is a music video director and producer. He's got the cool of Zack Morris with Mr. Belding's haircut. He's highly intellexual and hella urban. When he's not talking about rap, he's discussing the music video form. He's got Alfalfa dreams, but Buckwheat realities. Check him out on twitter (@theblack) or peep his website (chrisblack.la). |
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