Music video ratios usually range from 16:9 to extremely wide. However, director Warren Fu took it all the way past 4:3 and used a square aspect ratio for the sexy and disorienting "Sooth My Soul" by Depeche Mode. We talked to Warren about the concept behind the video, his new technique called… Read More

Last year, both Sigur Rós and director Andrew Thomas Huang released some amazing music videos. Sigur Rós released 16 videos as part of "The Vaktaru Mystery Film Experiment," and Andrew released the visually epic "Mutual Core" by Bj?rk, a labor-intensive project that took over 5 months to create. Now, Sigur… Read More

"Do you think you could cry and grind at the same time?" There's no room for subtleties when casting for the lead role in a music video like "Cry Like A Ghost" by Passion Pit. So when Daniel Scheinert (of DANIELS) asked Tallie Medel to star in the video, that’s… Read More

Over the past year, director and designer Kate Moross has collaborated with singer-songwriter Jessie Ware on all things visual - from logos, to print campaigns, to several of her music videos. Along with Jessie and the styling team at Silver Spoon Attire, Kate has directed  nearly all of her music videos, starting with "Running” released early last… Read More

One of the best parts about watching music videos in an audience is getting to hear the different reactions out of people. And during the music video screening that we attended at SXSW, no video seemed to evoke as many different reactions from people as did “Big Shot” by CHRISTEENE… Read More

Music videos are inspired by lots of different things, but it’s rare to find one that was inspired by 5th grade science fair projects. However, in "Live Your Life (TWINSMATIC Remix)" by Yuna, that’s exactly where directors fourclops turned when coming up with the effects for the video. We talked… Read More

The debut music video for an up and coming artist is one of the first opportunities they have to really establish an image for themselves. In "Fall Over," the first music video for BANKS, the way director Dylan Knight approached the piece was to create the ideal environments for BANKS… Read More

Sometimes, a director needs to actually see what’s in their head in order to help visualize the concept, even if that means doing ballerina moves in their living room, which is exactly what director DJay Brawner did while brainstorming the idea for “Hands And Faces” by The Used.  We talked… Read More

"Like Home" by Nicky Romero and NERVO is Kyle Padilla's first video as a solo director, and an ambitious one. It includes motorcycle stunts, an artist's first attempt at music video lip syncing, and, of course, directing an actor acting as a director. We talked to Kyle about writing personal… Read More

Family portraits are notorious for being awkward. There is a website dedicated to it. You can be the coolest, most photogenic family ever, but if I hand you over to a Sears photographer, 10/10 you're going to end up looking like this. In the video for “Wasted” by METZ, director Scott… Read More

Often times, a lot of post-heavy music videos don’t really come together until the backend. However, the video for “Bootleg Fireworks” by Dillon Francis was built almost entirely in the edit, so the plan when shooting for director team MENZ (Michael Giambra and Bill Benz) was just to get as… Read More

There are few things cuter than a bunch of elderly folks, boogie down to some funky tunes. Just out there getting their geriatric grove on, as a cool band jams on stage. Even a photo of Anderson Cooper holding grumpy cat is less cute than that. So, it is no surprise that… Read More

Practical and computer-based effects each come with their own unique set of challenges, and director Filip Sterckx decided to take on both sets when making the music video for “Sweater” by Willow. Consisting of a live-action lead singer traveling through a projected computer-animated world, making the video posed a unique set of challenges. We… Read More

If you like your music political, you might want to check out Killer Mike's track "Reagan," off his 2012 album R.A.P. Music. If you like your music videos political (and by political we mean Ronald Reagan's naked body, suspending in a fluid tube that is part of a robotic killing machine),… Read More

Described as a "love letter to VHS and childhood," the video for Starcadian’s "HE^RT" has a look and feel that will be very familiar (and hopefully close to the heart) of many readers who grew up in the era of VHS tapes and classic movies like The Last Starfighter. Co-directed… Read More

Having a music video selected to screen at SXSW doesn’t just benefit the director of the video. Everyone involved with video, from the artist and through to each crew member, contributed to the success of the project. That’s why we were excited when our first interview at SXSW this year was… Read More

Having an inanimate object star in your music video can be difficult for both the director and the artist. For the director, they have to figure out a way to make a story about an object compelling. For the band, they have to be cool with this object getting more… Read More

With the way budgets and production schedules are set up, there are sometimes shots in music videos that the director can only get once. Shots where everything has to go perfectly, and if it doesn’t you have to keep going anyway. In that situation, the last place you’d expect to… Read More

Often times, music video directors have to capitalize on what the situation offers them in order to be successful. On the music video for “BBQ Sauce” by Sean Price featuring Pharoahe Monch, director Todd Angkasuwan was able to capitalize on the on the impatience of Sean Price and the natural… Read More

A good director and producer relationship is like a marriage, requiring a good balance of give and take from both partners for it to be successful. That’s why when director Ali Presley Paras describes his producing partner Kenneth Ferrell as “the perfect husband,” we know it’s probably meant as a… Read More

Here at IMVDb, we are such big fans of Brooke Candy that we feel like we know her. We don’t, though. But Spaghetto does! And has for a while now – even before Brooke was everybody’s favorite sexy lady rapper. After being friends for years, the two of them finally teamed up on the… Read More

Crying on cue can be difficult for even the most seasoned actors to achieve. However, when using the right techniques, even nonprofessional actors can pull off a convincing on camera cry. In the June Zandona-directed “Lapsarian," Lady Lazarus pulls it off pretty much the entire time she's on camera. We… Read More

When a music video has a total of four crewmembers, and one of them is credited as prop master, it’s clear those elements play a significant role in telling the story of the video. In the music video for “The Snow” by AK, director Kristina Carucci was able to alter… Read More

When BRTHR (the duo behind colorful and visually interesting music videos for artists like Cris Cab, Angel Haze, and Nina Sky) teamed up with Emily Kai Bock to remix her video for “She Is The Wave” by Doldrums, their goal was to make it look like a crazy person edited… Read More

Brian C. Lehrer’s video for “Tribo Fuego” by TWST-1 features fire dancers, dark rituals, and a dude in a loincloth who also happened to be the key grip. It’s not unusual for people to take on multiple roles on the set of a music video, but this has got to… Read More